The lyrics present a part of a prayer to Moirai, ancient Greek incarnations of Destiny.
Rough translation to English by C. M. Bowra (for more context, see BOWRA, C. M., 1958. A Prayer to the Fates. The Classical Quarterly Vol. 8, No. ¾, pp. 231–240):
“Hearken, Fates, who sit nearest of the gods by the throne of Zeus, and on shuttles of adamant weave countless, inescapable devices for counsels of every kind, Aisa and Clotho and Lachesis, fine-armed daughters of Night, listen to our prayers, goddesses of heaven and earth, all-terrible; send us rose-bosomed Lawfulness and her brightly thorned sisters, Right and crowned Peace, and make this city forget the misfortunes which lie heavily on her heart.”
Klyte Moirai, Dios ai te para thronon anchotato ezomenai periosi afykta te midea pantodapan voulan adamantinaisin yfainete kerkisin, Aisa kai Klotho Dachesis t evolenoi Nyktos korai, efchomenon epakousat, ouraniai chthoniai te daimones o pandeimatoi, pempet ammin rodokolpon Evnomian liparothronous t adelfas, Dikan kai stefaniforon EIrinan, polin te tande varyfronon lelathoite syntychian.
We are ladies of midday and mistresses of woods. A witch folk band, wailing and creaking stories about a certain shadow from the heart of Europe, somewhere called the wickman, somewhere Lichočar.
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